This outstanding Richie Havens release features the original source recording of his classic hit "Here Comes the Sun" and other great selections from their live sources. 

Rotondi, a polka-punk group formed by guitarist Paul Lacques, performed the title selection "Polka Changed My Life Today" on an episode of the classic TV show "Crime Story" in 1986. They also turned out some fairly authentic but thoroughly outlandish polka music with surreal lyrics.  Refreshing and different.

Some of the best selling big band recordings of the 1950s were made by Belgian Francis Bay for Omega Records and Philips. As musical director for the Belgian radio and television network, Francis Bay wrote and performed extensively. Most of his recorded output consists of stereo tribute recordings devoted to the best known big band recordings.  This is his tribute to Perez Prado.  It is also a showcase for stereo separation.

 This release is devoted to a fairly rare recording by Oscar Moore, made in 1957, in stereo, and only released on 7.5 ips, 2 track reel to reel tape.  By the mid-1950's when this recording was made, Oscar Moore's career was in decline but he still did studio work in Hollywood, from time to time.  He had previously spent 10 years with the Nat King Cole trio, at the height of it's popularity.  He had also worked with his brother Johnny Moore in Johnny' Moore's Three Blazers with Charles Brown, and had won awards for his instrument in Downbeat, Esquire and Metronome.   Some time after this recording, Oscar took up bricklaying as a full time career, and only recorded two or three more times during the remaining 24 years of his life. This CD features some very fine Oscar Moore playing, from his rarest period, which no fan of jazz guitar will want to miss!   

These 1962 recordings of Shorty Rogers in a quintet setting, with guest star vocals by Jeri Southern were made for Programs, Inc. Recorded at United Recorders.

The 1962 version of the Chico Hamilton Quintet presents a generous offering of their repertoire of the day with emphasis on standards and the works of Charles Lloyd.  Recorded at United Recorders.

The 1962 version of the Red Norvo Quintet with Jerry Dodgion and Jimmy Wyble is augmented by guest vocalist Mavis Rivers, and somewhat unexpectedly by selections from Ella Mae Morse. Recorded at United Recorders. Alternate takes included.

A session devoted to The Buddy Collette Quintet, circa 1962, featuring Al Viola, is augmented by selections from guest vocalist Irene Kral performing material from her upcoming Ava release. Recorded at United Recorders for Programs, Inc.

In 1990, guitarist, composer, singer Ray Rivera, recorded his group, which included Dr. Billy Taylor, performing a selection primarily comprised of his own compositions. Recorded for release on Hindsight Records originally.

Joanie Sommers, before she became a teenage heartthrob with "Johnny Get Angry", seemed to be on the way to being a talented and skillful jazz singer. This material recorded by Programs, Inc. throughout the 1960's captures her in her jazz styling with the support of fine accompanists such as Bobby Troup and Shelly Manne, and is a wonderful collection of her work during that decade.

Sue Raney's excellent recordings from the Vil Vohler collection, recorded with the accompaniment and support of Shelly Manne, Buddy De Franco and Page Cavanaugh in the early 1960's. The first of two volumes.

This is the second CD culled from the material Sue Raney recorded for Programs, Inc at United Recorders during the early 1960's. More great material featuring the support of Page Cavanaugh, Buddy DeFranco and Shelly Manne.

This compact disc features 23 selections recorded by Shelly Manne throughout the 1960's for Programs Inc.  Shelly Manne recorded over 9 sessions for Programs, Inc., more than any other jazz artist. This CD provides a great overview of Shelly's career during that period, as there are renditions of compositions from just about every album he recorded during the late 1950's and the 1960's.

This highly regarded  1956 recording from the Tampa vaults is available on CD.  This is the original CD version culled from the best available sources.

We have recently repressed this classic Tampa LP.

This straight-ahead session by vibist Jon Metzger is his fourth album as leader, and among the 35 or so recordings on which he has performed. He is a highly regarded accompanist and has worked extensively with Shirley Horn and Fred Hirsch, among others. Jon is also an accomplished composer and the author of every selection on this release.

Howard Roberts was captured live on tape by photographer and jazz enthusiast George Jerman during the late 1960's at Donte's in Hollywood.   The material was selected and programmed by George Jerman and Bob Edmondson.  Mastering by Joe Sidore.

Band leader, arranger, composer Mike Barone and his big band were captured live on tape by George Jerman at Donte's in 1968. Great session, programmed by Bob Edmondson. Mastered by Joe Sidore.

Mac Emerman, owner of the legendary Miami Criteria-Reela (Criteria) recording studio, recorded this session featuring Don Vincent's Modern Jazz Orchestra for his Criteria Records label.  Very rare recording featuring the finest players in Miami jazz of the late 1950's.

Goerge Jerman captured Pete Jolly and his trio live on tape on a number of occasions during the early 1960s.  This release assembled by Bob Edmondson and mastered by Joe Sidore features a particularly good example of this group during it's most active and creative period.

Florida based pianist Herbie Brock recorded this fine album for Mac Emerman's Criteria Records in 1957.  One of the few releases on Criteria Records to receive reviews in the press.  

Trombone player and arranger, Lon Norman, leads this sextet date for Mac Emerman's Criteria Records in 1957.  Lon Norman had worked with Willis Connover's "The Orchestra" before this date, and later arranged and played in Jackie Gleason and H B Barnum's TV show orchestras. 

Lon Norman arranged for and led this group called "The Octet" on this session made for Mac Emerman's Criteria Records in Miami in 1957.  The material is in the Dave Pell/Marty Paich style.  Very well performed by the best jazz players in Miami, at the time.

This recording under the leadership of Jimmy Rowles was released on both Tampa Records and Interlude Records in 1958.  One of the later sessions made for Tampa/Interlude, it features Harold Land and Pete Candoli in an octet with Jimmy Rowles performing standards and Jimmy's original compositions.  The crazy cover and title should not discourage anyone from checking this item out!

Vocalist Stephanie Nakasian produced and performed the material on this CD, a tribute to vocalist June Christie recorded in 2001.  This project was the result of a performance dedicated to June Christie by Pete Rugolo where Stephanie was the chosen vocalist.  The band features Harry Allen and Hod O'Brien, who also provided the arrangements.

Vocalist Laurie Allyn recorded an album for Mode Records that was never released.  Featuring the support of Don Fagerquist and arrangements by Marty Paich, this unreleased Mode Records session is being offered for the first time.  Recorded at Radio Recorders by Bones Howe.  Mastered by Bones Howe.  Stereo.

Warne Marsh and Joel Albany performed and recorded an evening's engagement at the Galleon Supper Club in Dana Point in 1957, just before Warne's Mode recording date.  This double CD program includes the complete program of live stereo music performed and recorded during the gig.  

Washington D.C. big band leader and trombonist Eric Felten produced the session and performed as vocalist and trombone player on this fine CD dedicated to Mel Torme and the Marty Paich Dek-Tette. Recorded in 2003, and featuring the likes of Jack Sheldon and Herb Geller, among others, this is a fine effort that appropriately revives the spirit of a great musical collaboration.

Johnny Holiday recorded this album for Mode Records in 1957.  Johnny Holiday had previously recorded for Pacifica Records (precursor to Pacific Jazz) with the Ralph Garcia Orchestra, and was accompanied by Marty Paich, who also provided the arrangements, for his Mode Records session.

In 1960, Pete Jolly and Ralph Pena toured New Zealand.  They were a big success and at the culmination of their tour they performed in Auckland, where their final concert of the tour was recorded.  An LP was released for local consumption.  This CD features that material. 

In 1958, Keen Records released a single by the vocal group "The Turks" that featured Gaynel Hodge, Jesse Belvin, Alex Hodge, and Tommy "Buster" Williams.  The Turks had recorded various material for Keen Records in two sessions, one in late 1957 the other in early 1958.  This CD contains all of the selections recorded during those two sessions, including unreleased selections, as well as the master versions.

This CD features the complete session recordings of Johnny "Guitar" Watson for Keen Records from 1957, primarily featuring "Gangster of Love". Both the session and master tape versions are included.

Stephanie Nakasian is an educator and published author of a jazz vocal training book for advanced students at the University level and for Masters Classes. Several years ago, she undertook to prepare a CD to assist students in grasping some of the specifics of her book. This CD has become quite popular far beyond the academic arena. Indeed, it may become her most in demand recording to date. It consists of twenty selections dedicated to expressing the style and manner of 20 acclaimed jazz vocalists.

Jerry Fuller is probably best known as the clarinet player with The Dukes of Dixieland. This 1959 session is Jerry Fuller’s first session as a leader. It is a swing and modern jazz session which showcases Fuller’s clarinet in the company of Howard Roberts, Bob Florence, Gene Estes, Frank Capp and Mel Pollin. Recorded at Third Street Studios.

This classic 1957 New York recording date was produced by Leonard Feather. and dedicated to the compositions of Charlie Parker, Benny Harris, Dizzy Gillespie and other giants of be-bop. Recorded less than 2 years after Parker's death, this session features his saxophone, played by Phil Woods and his 5 year old son, Baird, singing the "Salt Peanuts" refrain on Dizzy's tune of the same name.

Formed in 1953, The Stars of Bethelehem were one of the more popular gospel groups in Los Angeles in the mid-1950s, although they did not enjoy a national reputation like The Soul Stirrers, The Pilgrim Travelers or the Five Blind Boys.  Richard Wallace went on to form the Mighty Clouds of Joy with Joe Ligon.

Otis Rene founded the Excelsior and Spin labels, to which this release is primarily devoted.  One of the early Los Angeles based R&B labels, Excelsior was a showcase for the emerging talent that made the transition from big bands to the smaller formats that replaced them.  This 2-Cd program includes the big bands of Gerald Wilson and Johnny Otis, the Nat King Cole trio, Jimmy Rushing,  gospel and novelty tunes, vocal groups, and instrumentals, culminating with the early 1960's soul sound of Phil Flowers.  Also included are examples of Otis Rene's songwriting from the actual recordings and demos.

This Danny D'Imperio CD is a tribute to Danny's avocation. As a member of a multitude of big bands, Danny traveled for years on the bus in the "juicer" section. This had a big impact. He wants that known. However, the music on this CD has very little specifically to do with this. It consists of recordings made during the early and mid-1990s from two sessions involving Danny's big band.  This is the first of the two CDs devoted to those recordings

On June 3, 1979, Nick Brignola joined Danny D'Imperio's band to play at The Rum Keg Lounge in Cortland, NY.  Armed with his baritone and alto sax, Nick came loaded for bear and taking no prisoners. His prey, local alto sax player, Frank Moser, who despite playing hundreds of paying gigs was still committed to his day job. This modern-day cutting session took place at the local Howard Johnsons' cocktail lounge converted into a jazz club.  This CD examines local jazz from nowhere at its best.

This  Danny D'Imperio CD is the companion release to V.S.O.P. #122CD DANNY D'IMPERIO: "ALCOHOL" and also consists of recordings made during the early and mid-1990s from two sessions involving Danny's big band.  Another chapter dedicated to the search for the unvarnished truth.

V.S.O.P. #125 CD GULF COAST JAZZ: VOLUME ONE . The group calling itself the American Jazz Quintet, and featuring Ellis Marsalis, Harold Battiste, Alvin Batiste, Ed Blackwell, and Richard Payne or Willam Swanson, was one of a few modern jazz groups based in New Orleans. While each had significant careers in music, they did not record often under this name, nor even together. In fact, apart from a 1956 recording, a 1962 session and a reunion recording in 1987 the recordings contained in this new CD may be the only other release of their unique and exciting music. These sessions were recorded in February, 1959 at Cosimo Recording Studio in New Orleans.

V.S.O.P.#126 CD Omega OSL 5 THE LIGHTHOUSE ALL STARS Plus Ten: JAZZ ROLLS ROYCE. This 1957 recording was commissioned for the 1957 UCLA Homecoming Show and Bob Cooper was called upon to compose and arrange the music to fit this occasion. The writing called for not just the Lighthouse All Stars, but ten additional musicians in order to fill out the sextet into a regular big band, with a view of preserving the sound of the smaller group in a larger ensemble. We have chosen to release this material in tribute to Howard Rumsey, who is being honored this year by the Los Angeles Jazz Institute. This is a remastered version.

 V.S.O.P. #127 CD  THE DAVID ANGEL BIG BAND:  CAMSHAFTS and BUTTERFLIES.  David Angel is one of the best-known unknown composers and arrangers in jazz today, having worked on the soundtracks for Bonanza, Laugh-In, The Streets of San Francisco, The Jerry Lewis show, Sonny & Cher, etc.  His unique composing and arranging style combines classical techniques with big band jazz arranging in a distinct and individualistic manner.  He is also a great though understated reed man.  Some of the finest Hollywood studio musicians have played his charts at his weekly rehearsals at Local 47.  This release features Bob Cooper, Bill Perkins, Jackie Kelso, and Bob Enevoldsen, among others, in sessions recorded in 1973 and 1975 at Sage and Sound. David regards this material as among his best in a long and musically rich career that has contributed some remarkable music.

 V.S.O.P. #128 CD  THE DOUG WEBB QUARTET: SETS THE STANDARD

This CD is a bit of a departure from the usual album that Doug Webb has recorded in the past. For this release, Doug wanted to record a set of standards, primarily ballads, so that he could exercise his improvisational abilities in a more lyrical direction. He also wanted to record on various horns from his vast collection, and take advantage of his facility with both E flat and B flat reed instruments. When Alan Broadbent was invited to perform at Ken Poston's series of concerts in May of  2014, the long awaited opportunity presented itself. Alan's wonderful talents as an arranger and composer are equaled only by his great ability as a pianist and accompanist. He was the perfect pianist to assist Doug in bringing his ideas to fruition. The location selected was Nolan Shaheed's Studio in Pasadena, with Putter Smith and Paul Kreibich invited to round out the rhythm section. Because of time constraints on Alan's stay in Los Angeles, no rehearsal time being available, it was settled that the selections to be performed and recorded would be familiar to all and no written parts would be used. This is a totally improvised set. The results are as excellent as the personnel involved.

V.S.O.P. #129 CD GULF COAST JAZZ: WADE IN THE WATER

 The music on this CD is drawn from the second 1959 recording session of the group calling itself "The American Jazz Quintet", which featured Ellis Marsalis, Harold Battiste, Alvin Batiste, Ed Blackwell, and Richard Payne or William Swanson.  They were one of a very few and perhaps the only modern jazz group based in New Orleans.  The first session was released last year as Volume I (V.S.O.P. #125 CD).  The music included on this second CD release first appeared in the 1960's on an LP produced by Bumps Blackwell for release on his Famous Records label and this CD tracks the order of that program.  Unlike the selections on "Volume 1", which were largely original compositions, this program is comprised mostly of jazz arrangements of traditional gospel music and spirituals.  The group's original intent in making these recordings in 1959 was to create a program that traces the related origins of New Orleans jazz and modern jazz to the early spirituals of the Southern black gospel churches

Vic Feldman's 1957 leader date on Mode features his vibes playing in the company of Carl Perkins on piano. The first four selections are by the quartet of Vic, Perkins, Leroy Vinnegar and Stan Levey. For the last three the quartet is augmented to a sextet by the addition of Frank Rosolino and Harold Land. Great soloing by all. Stereo.  Recorded at Radio Recorders by Bones Howe.

LP replica edition of 1958 reissue on Interlude of Vic Feldman's 1957 leader date on Mode featuring his vibes playing in the company of Carl Perkins on piano. The first four selections are by the quartet of Vic, Perkins, Leroy Vinnegar and Stan Levey. For the last three the quartet is augmented to a sextet by the addition of Frank Rosolino and Harold Land. Great soloing by all. Stereo. Deep groove LP. ONLY AVAILABLE IN VERY LIMITED QUANTITIES. STILL AT A BARGAIN PRICE! ONCE THEY RUN OUT, THERE WILL BE NO MORE.

This album consists of a Bob Enevoldsen date featuring Bob Enevoldsen, Marty Paich and Larry Bunker doubling on various instruments and demonstrates Bob's talents on a range of instruments including tenor, valve trombone and bass. Deep Groove LP. AVAILABLE IN LIMITED QUANTITIES. STILL AT A BARGAIN PRICE.

Two albums combined on one compact disc. Selections 1 through 6 feature Downbeat jazz poll winner Bob Gordon with Herbie Harper in a group led by George Redman. The last five selections feature a Bob Enevoldsen date with Marty Paich which demonstrates his talents on a range of instruments including tenor, valve trombone and bass.

Frank Rosolino was an outstanding trombonist and recorded one of his finest albums for Mode Records in 1957.  

Richie Kamuca recorded a quartet album featuring pianist Carl Perkins for Mode Records in 1957.  This is the CD version of it.  This is a classic.

We have recently repressed this 1957 classic LP. It is available in a limited edition of 500 copies. At this time, we are offering the high quality Japanese printed cover. This LP earned the coveted Swing Journal Gold Seal of Approval.

Mel Lewis formed this sextet in late 1957 for his recording date for Mode Records. Offered in stereo, this set features arrangements by Bob Brookmeyer, Bill Holman, Jack Sheldon and Marty Paich, with Charlie Mariano, Bill Holman, Jack Sheldon and Marty Paich also performing.

Bill Holman's arrangements are as unique and recognizable in this small group setting as they are in his writing for big bands. The group, with Jimmy Rowles on piano, Lee Katzman on trumpet and Wilford Middlebrook on bass is tight and confident.  Recorded for Andex Records in 1958.  Stereo.  Recorded at Radio Recorders by Bones Howe.

This CD features a sextet with three members of the Chico Hamilton Quintet, presenting a program for the most part arranged by Buddy Collette.  The material is reminiscent of the first Chico Hamilton Quintet release on Pacific jazz.  Recorded in 1955 at Capitol Records by John Kraus.

This LP features a sextet with three members of the Chico Hamilton Quintet, presenting a program for the most part arranged by Buddy Collette. The material is reminiscent of the first Chico Hamilton Quintet release on Pacific jazz. Recorded in 1955 at Capitol Records by John Kraus.  Deep groove LP.  ONLY LIMITED QUANTITIES AVAILABLE.  STILL OFFERED AT A BARGAIN PRICE.  

In 1955 and 1956, Plas Johnson had a slew of regional R&B instrumental hits, including several of the tunes featured on this album. In 1954, George Jenkins had regional hits that featured Plas Johnson, as well. These are also featured on this reissue of the 1957 Tampa album. Deep groove LP.

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V.S.O.P. #2154 CD Tampa 21 & 54 PLAS JOHNSON: BOP ME DADDY and DRUM STUFF. Recorded in  1955, 1956 and 1957 for Robert Scherman’s Tampa Records record label, these two albums showcase the tenor work of Plas Johnson in the context of a small group. Plas Johnson is best known today for his work with Henry Mancini and the many Capitol Records sessions he participated in. Throughout his earlier career, he was also quite active with independents, appearing frequently on sessions led or contracted by Rene Hall, or Ernie Freeman. Ultimately, Plas became one of the members of the loose knit group of first call rock & roll session men known as the “Wrecking Crew”. This CD features the style of tenor playing that was primarily the domain of such players as Lee Allen, Al Sears, Hal Singer, Sam Taylor, Jimmy Wright, Sil Austin and many others.

This CD features the first of two "JAZZ BAND BALL" albums recorded and released by Mode Records in 1957. This program orchestrated and produced by Marty Paich features valved brass instruments,with Jack Sheldon and Don Fagerquist on trumpets and Bob Enevoldsen and Stu Williamson on valve trombones. Recorded at Radio Recorders by Bones Howe.

In 1959, Baritone saxophonist Virgil Gonsalves co-produced this recording with Dave Hubert for release on the Omega label. Recorded in San Francisco, it featured one of the finest modern jazz big bands to come out of the Bay Area. Its’ members included, in addition to Virgil Gonsalves, Leo Wright, Junior Mance and Bay area favorites Mike Downs and Danny Patiris.

This classic big band album recorded for Andex Records in 1958 garnered a five star review in Downbeat.  One of the most essential modern big band recordings from all perspectives: arrangements and compositions, musical performances and studio recording techniques.

This release of Bill Holman's "In A Jazz Orbit" on CD is taken from the original master tape. The previous CD version was from the studio session tape. This presents the music with the basic EQ and dynamics that were used for the original LP.

Great sampler of Tampa releases, including selections by Oscar Moore, Marty Paich, Paul Smith, Herbie Harper, and others.  Deep Groove LP.

AVAILABLE ONLY IN LIMITED QUANTITIES. ONCE THEY ARE GONE, THERE WILL BE NO MORE.

Marty Paich's recording on Tampa from 1956,  was originally titled "Hot Piano", but later released as here, as: "JAZZ FOR RELAXATION". Marty Paich is joined by Joe Mondragon on bass and Larry Bunker on vibes and drums, Howard Roberts on guitar .  Stan Levey took the cover photo.

Made in 1956, this session is one of several recorded by Gerald Wiggins that year, and an excellent example of his lyrical style, energy and fine musicianship.  Recorded at Capitol Records by John Kraus.

Made in 1956, this session is one of several recorded by Gerald Wiggins that year, and an excellent example of his lyrical style, energy and fine musicianship.  Deep Groove.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THEY ARE GONE THERE ARE NO MORE.

This September, 1957 Mode recording is one of the few unreleased Mode sessions that survive. It showcases five great pianists, Carl Perkins, Jimmy Rowles, Lou Levy, Paul Smith and Gerald Wiggins performing four solo piano selections each of well-known and not so well-known standards (also one blues, one traditional and one jazz standard).  Recorded at Radio Recorders by Bones Howe.

This September, 1957 Mode recording is one of the few unreleased Mode sessions that survive. It showcases five great pianists, Carl Perkins, Jimmy Rowles, Lou Levy, Paul Smith and Gerald Wiggins peforming four solo piano performances each of well-known and not so well-known standards (also one blues, one traditional and one jazz standard).  

ONLY A VERY SMALL NUMBER OF COPIES ARE LEFT.  STILL OFFERED AT A BARGAIN PRICE

This recording features selections from various 1984 live dates at Condon's in New York. This was the beginning of the METROPOLITAN BOPERA HOUSE aka "the MBH" a bebop revival quintet formed by Danny D'Imperio and John Marshall that featured altoist Gary Pribek.  This version has Steve Ash on piano.

Oscar Moore was the guitarist with the Nat King Cole Trio for many years and frequent Metronome, Esquire and Downbeat poll winner for guitar. He is joined by the great Carl Perkins for this 1954 Skylark session. Recorded at Radio Recorders by Val Valentin. Deep Groove.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THOSE ARE GONE, THERE ARE NO MORE.

In 1954 and 1955, Oscar Moore recorded two albums for release on Bob Scherman's Skylark and Tampa labels, featuring pianist Carl Perkins.  Recorded at Radio Recorders by Val Valentin, both are included on this CD.    

This March, 1957 recording on Rave Records features Red Norvo and his quintet in prime form. During the 1950s and 1960s Red Norvo fronted a quintet that featured vibes with a reed, guitar, bass and drums. This version of the quintet included Bob Drasnin, Jimmy Wyble, Buddy Clark and Bill Douglass. Everything about this group and recording swings! This is very much a cool West Coast jazz session.

This March, 1957 recording on Rave Records features Red Norvo and his quintet in prime form. During the 1950s and 1960s Red Norvo fronted a quintet that featured vibes with a reed, guitar, bass and drums. This version of the quintet included Bob Drasnin, Jimmy Wyble, Buddy Clark and Bill Douglass. Deep groove.

LIMITED QUANTITY IN STOCK.

This was vibist Jon Metzger's first recording as leader back in 1985. Quartet includes Fred Hirsch on piano. Very nice date by fine up and coming artists of the time. Europadisk mastering, cutting, plating and pressing.

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This 1957 date features pianist Dick Marx with the help of Buddy Collette on flute and others. The program is mainly Broadway material with a number of tunes from Guys and Dolls. This is some very nice under-appreciated music.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THOSE ARE GONE, THERE WILL BE NO MORE.

Herbie Mann and Buddy Collette recorded this album of flute and reed exchanges for Mode Records in 1957.  This CD features the stereo version which helps in keeping track of who is playing.  Recorded at Radio Recorders by Bones Howe.

This CD is devoted to the 1957 Mode Records recording of Harry Babasin's Jazzpickers, a pianoless group consisting of string and percussion instruments only. For this recording date, Harry brought together Terry Gibbs, guitarist Dempsey Wright, bassist Ben Tucker and drummer Bill Douglass to perform five of his original compositions and three standards.

Trumpeter Don Fagerquist led an octet performing Marty Paich charts on this recording date for Mode Records from 1957.  Recorded by Bones Howe at Radio Recorders.  Stereo.

Legendary but under-appreciated trumpeter Don Fagerquist's only recording as leader. Don Fagerquist was one of the busiest trumpeters on the West Coast in the 50's, often recording with Shorty Rogers, Dave Pell, Les Brown, and countless vocalists. Outstanding stereo sound by Bones Howe. 

AVAILABLE IN LIMITED QUANTITIES.  STILL OFFERED AT A BARGAIN PRICE.

The second "Jazz Band Ball" album was recorded in September of 1957, and was devoted to orchestrating and recording a multi-percussion ensemble made up of three mallet players: Terry Gibbs, Vic Feldman and Larry Bunker, and a rhythm section.  All arrangements are by Marty Paich.  Recorded at Radio Recorders.  Great stereo separation by Bones Howe allows each soloist to be identified clearly.

Stan Levey's 1957 Mode Records session is one of his finer recordings.  Stan was the drummer on as many as a third of the Mode sessions, so it is no surprise that he would be featured as leader of his own.  

Clora Bryant, the great be-bop trumpeter and vocalist, recorded her only session as leader for Mode Records in 1957.  

Clora Bryant not only provides some driving be-bop styled trumpet playing reminiscent of Dizzy Gillespie, but displays a very entertaining vocal style, as well. At the time of this recording she was performing regularly at the Oasis on Western Ave, with Eric Dolphy and Walter Benton, and often worked with Art Pepper at Hermosa Beach.

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Conte Candoli's Mode Records session from 1957.  Tasteful selections, great playing. 

Art Monroe was a very popular jazz pianist working in the Washington, D.C. area during the 1980's. He was also dean of music at Howard Community College. This is the first of two recordings by his trio released on V.S.O.P. RECORDS.

Pianist Paul Smith's unmistakable style and incomparable technique are featured in the company of a quartet with whom he worked regularly in the early 50's. Originally released as two EPs in 1953 on Skylark, this CD includes all extant alternate takes and studio chatter.

Pianist Paul Smith's unmistakable style and incomparable technique are featured in the quartet with whom he worked regularly in the early 50's. Originally released as two EPs in 1953, this LP consists of the 1956 Tampa release. Deep groove.

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This is the original release of Tampa 2 A Swingin' Gig, released under Buddy Collette's leadership. The original date was percussionist Max Albright's. Most of the tunes are arranged by Buddy Collette and John Anderson. Also features Gene Cipriano, Bill Green, Chuck Gentry, Gerald Wiggins, and others.

ONLY AVAILABLE IN LIMITED QUANTITIES. AFTER THOSE ARE GONE, THERE ARE NO MORE.

Recorded at the Forum Theater (3rd Street Studios), this recording features Art Pepper and Conte Candoli performing on a latin styled mainstream jazz recording date that was released on Andex Records in 1958.  

 The focus of this recording is Jimmy Rowles, not only as pianist, but also as arranger. Half of the arrangements are by Bill Holman and the other half are by Jimmy Rowles. Bill Holman and Herb Geller double on baritone in addition to their usual saxes and do a superb job of it. Lee Katzman and Bob Enevoldsen also provide memorable solos. This session was recorded at Radio Recorders and several out-takes are included to allow a comparison between the mono and stereo mixes used on this session.

The focus of this recording is Jimmy Rowles, not only as pianist, but also as arranger. Half of the arrangements are by Bill Holman and the other half are by Jimmy Rowles. Bill Holman and Herb Geller double on baritone in addition to their usual saxes and do a superb job of it. Lee Katzman and Bob Enevoldsen also provide memorable solos.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THEY ARE GONE THERE ARE NO MORE.

This recording was the first Mode release, and features Herbie Harper, one of the finest yet least well known trombone player in modern jazz.  In the mid-fifties Herbie Harper made recordings for Nocturne, Tampa/Skylark, Liberty, Bethlehem, and this one for the newly formed Mode Record label. His lyrical style, tone control, and musicality reveal a rare and well developed talent that clearly deserves special recognition.

The first Mode release featured Herbie Harper, a fine trombone player who settled down to a prolonged career in the recording studios and playing occasional jazz gigs.  His lyrical style, tone control, and musicality reveal a rare and well developed talent that clearly deserves special recognition.

ONLY AVAILABLE IN LIMITED QUANTITIES. AFTER THEY ARE GONE THERE ARE NO MORE.

Mode produced and released Pepper Adams' first album as leader, featuring pianist Carl Perkins and Stu Williamson on trumpet.  Stereo.

Recorded at Radio Recorders by Bones Howe.

The MBH's second recording session took place in 1987 at Al Basi's studio in New York with Tardo Hammer replacing Steve Ash on piano. 

ONLY AVAILABLE IN LIMITED QUANTITIES. AFTER THEY ARE GONE, THERE ARE NO MORE.

Due to a well received appearance on KABC-TV's "Stars of Jazz", a half hour show hosted by Bobby Troup, Paul Togawa's quartet album was Mode's best selling release during the spring of 1958. This was also Gabe Baltazar's first recording and is one of the few recordings featuring pianist Dick Johnston.

Recorded in late 1963 at Radio Recorders by Bones Howe for Fred Astaire's Ava (Choreo) record label, this was the second album on Ava for Pete Jolly.  

This is Pete Jolly's second release on Ava/Choreo. Recorded at United Recorders by Bones Howe.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THEY ARE GONE, THERE ARE NO MORE.

This collection of Elmer Bernstein themes from various television shows and movies was recorded for Fred Astaire's Ava Records (Choreo Records) in 1962 and features the original arrangements performed by an all star ensemble of Hollywood studio regulars. 

Recorded in July of 1962, this collection of movie and television themes composed by Elmer Bernstein, represents an excellent example of the jazz side of his composing style, at that point in his career. The entire program is devoted to jazz oriented themes.

STOCK LIMITED. STILL AVAILABLE AT BARGAIN PRICE.

Originally released as a George Jenkins date, this 1956 release includes the first recording of Plas Johnson's hit "Last Call". Also includes a version of "Cottontail" that features the additional alto sax of Benny Carter.  Deep groove.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THEY ARE GONE, THERE WILL BE NO MORE.

Second George Jenkins release on Tampa, featuring Freddy Clark.

ONLY AVAILABLE IN LIMITED QUANTITIES. ONCE THOSE ARE GONE, THERE WILL BE NO MORE.

Bill Donati was an Italian pianist who straddled classical music and jazz, as did producer and composer Bob Scherman. This is different.

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One of the original members of Harry Babasin's Jazzpickers, Dempsey Wright was an excellent string player doubling on guitar and violin. On this recording, he plays guitar exclusively, and will be a welcome discovery for appreciators of the guitar styles of Barney Kessel, Howard Robert and other Los Angeles based stylists of the late 1950's.

 One of the original members of Harry Babasin's jazzpickers, Dempsey Wright was an excellent string player doubling on guitar and violin. On this recording, he is joined by Richie Kamuca, Victor Feldman, Ben Tucker and Stan Levey.

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Joanne Grauer was a Hollywood born and raised, classically trained pianist, who started working professionally at the age of 15 at the Million Dollar Theater, and made her debut recording for Mode Records a couple of years later. Joanne Grauer has a hip, jaunty style that fits right in with the other fine pianists that recorded for Mode.  On this fine recording she is more than ably assisted by Buddy Clark and Mel Lewis.

Joanne Grauer  a  classically trained pianist, who turned to jazz at an early age made her debut recording for Mode Records.  On this fine recording she is more than ably assisted by Buddy Clark and Mel Lewis.

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The second release on Choreo Records was recorded and released in 1962 and features the great Broadway singer/dancer, Carol Lawrence performing jazz arrangements and compositions with the Dick Hazard and Harry Betts studio orchestras. Composer/accompanist Tommy Wolf produced this and the other fine recordings on this label with ex-drummer Jackie Mills.

Carol Lawrence is an outstanding vocalist with a very engaging style. This is probably her jazziest recording ever. The repertoire chosen is classic in its genre. Great charts, good sound, fine vocals. A very nice recording.

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During the mid-1950s poll winning big band vocalist Lucy Ann Polk transitioned from big band singing to jazz.  This session for Mode Records is undoubtedly her finest effort.  Recorded by Bones Howe at Radio Recorders. 

Lucy Ann Polk was a vocalist's vocalist, winning the Downbeat best female vocalist in 1952 and 1953. This small group date features Marty Paich arrangements and backup and is one of the finest vocal records ever recorded. Outstanding stereo sound by Bones Howe.

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Art Monroe from Bardstown, KY, second cousin to Bill Monroe, was one of Washington D.C.'s most accomplished jazz pianists. This album, recorded shortly before his death at the young age of 48, was Art Monroe's second release for V.S.O.P. RECORDS. As good a pianist as Art was, he was an even better composer.

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After leaving Specialty Records, The Pilgrim Travelers recorded this excellent album for Andex.  Recorded at Radio Recorders.

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Pete Jolly and his trio recorded this album for Fred Astaire's Ava Records label in 1963.  The title track, "Little Bird" was nominated for a grammy.  This is one of Pete Jolly's finest efforts.  Recorded by Bones Howe at United Recorders.

In July of 1957, shortly after making this recording, Marty Paich became musical director of Mode Records.  This album presents the many facets of his playing and writing: block chord laden ballads, great blues feeling and a jaunty swinging up tempo style. A great recording, and a fitting tribute to the outstanding musicianship of Marty Paich.

The music of Marty Paich is more than the great arrangements for which he is justly famous.  Recorded for Mode Records in 1957, this LP offers a glimpse into his playing in a trio setting.

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Third Stream compositions by John Graas. jazz Chaconne recorded in stereo at Radio Recorders in Hollywood, features Art Pepper, Jack Sheldon, Bill Perkins and others. Alternate takes included.

Jazz Symphony was recorded in mono in Stuttgart, Germany by the Rundfunk-Symphony Orchestra with soloists from the Erwin Lehn band. Note pianist Horst Jankowski, soloist with Erwin Lehn's band and performer and composer of top 40 easy listening pop hit "A Walk In the Black Forest".

Jon Metzger is one of the most accomplished young vibes player to arrive on the scene recently. He is also an excellent composer as evidenced by most of the selections on this compact disc. Jon is currently conducting clinics and performing under the aegis of the Southern Arts Fellowship and Musser.

Singer Joy Bryan is backed here by a Marty Paich led group that includes Herb Geller and Jack Sheldon. Joy Bryan had also recorded for Contemporary Records. All arrangements by Marty Paich. Recorded at Radio Recorders by Bones Howe. Stereo.

Vocalist Joy Bryan's recording for Mode Records feature arrangements by Marty Paich who also leads and performs in the group backing her, which includes Herb Geller, Bob Enevoldsen and Jack Sheldon. Recorded at Radio Recorders by Bones Howe. Stereo.

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Vocalist Doris Drew recorded an album for Mode Records in 1957 supported by Don Fagerquist and Marty Paich (and others). Recorded at Radio Recorders by Bones Howe. Stereo.

Vocalist Doris Drew's recording for Mode Records features an group that includes Marty Paich, Herb Geller, Bob Enevoldsen, Don Fagerquist, and Dave Pell, performing all Marty Paich arrangements. Recorded at Radio Recorders by Bones Howe. Stereo.

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Eddie Costa's recording for Mode Records features him both on piano and vibes, in the company of Phil Woods and Art Farmer.  

Guitarist Al Viola recorded this solo album for Mode Records in 1957.  He had been working on perfecting his acoustic guitar technique and this was his opportunity to give it expression.  

Al Viola's debut recording for Mode Records is a bit different from the work he had been previously best known for. It features his playing an acoustic guitar without accompaniment employing primarily classical guitar techniques in the context of a jazz recording.  Recorded at Radio Recorders by Bones Howe.

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This 1988 Danny D'Imperio date is another of his authentic attempts at the revival and revitalization of bebop as it was played in the late 40's and 50's. His group includes Andy Fusco and Ralph Lalama and features interesting recreations of memorable and lesser known works by the giants of bebop and hard bop. 

Trumpeter John Marshall and pianist Tardo Hammer formed this group when the Metropolitan Bopera House broke up. Like Danny D'Imperio (former leader of the Metropolitan Bopera House), the Marshall-Hammer Bopera House is dedicated to the revitalization of bebop and hard bop. This CD features both classic bop tunes and new compositions by John Marshall. The session was engineered by studio mavin, Rudy Van Gelder.

Trumpeter John Marshall and pianist Tardo Hammer formed this group when the Metropolitan Bopera House broke up. Like Danny D'Imperio (former leader of the Metropolitan Bopera House), the Marshall-Hammer Bopera House is dedicated to the revitalization of bebop and hard bop. This album features both classic bop tunes and new compositions by John Marshall. The session was engineered by studio mavin, Rudy Van Gelder.

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Stephanie Nakasian's 1988 debut on VSOP RECORDS  features her vocals in the company of Phil Woods, Hod O'Brien, Wayne Andre, Warren Chiasson and others.

Bobby Troup's July 1957 recording for Mode Records was originally intended as a showcase for his piano playing. As things progressed from deciding to make a record to selecting the material, arranging it and rehearsing it, Bobby collaborated with Bob Enevoldsen, and the focus shifted from his performing talents to his arranging talents.  Bobby Troup is supported here by Stu Williamson, Ronny Lang, Ted Nash, Bob Enevoldsen and others.  Recorded at Radio Recorders by Bones Howe.

Don Nelson is joined by Jimmy Rowles, Leroy Vinnegar and Stan Levey for this 1957 Mode Records date. Don also performs on the recorder on a few tracks, but his primary task at hand is singing.  Recorded at Radio Recorders by Bones Howe.

Don Nelson is joined by Jimmy Rowles, Leroy Vinnegar and Stan Levey. On his 1957 Mode Records date, Don  performs on the recorder on a few tracks, but his primary task at hand is singing.  The LP is in stereo. Recorded at Radio Recorders by Bones Howe.

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Before becoming the popular pianist, Peter Nero, this Brooklyn born, classically trained Art Tatum fan was an accomplished jazz pianist named Bernie Nerow who recorded this 1957 Mode Records date.  Recorded at Radio Recorders by Bones Howe.

Classically trained Peter Nero, was Art Tatum fan and an accomplished jazz pianist when he recorded this album for Mode Records in 1957. Recorded at Radio Recorders by Bones Howe.

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This special  collection from the three album sessions Pete Jolly recorded for Ava/Choreo in the early 1960's was prepared and selected by V.S.O.P. RECORDS.  Recorded at United Recorders and Conway Studios by Bones Howe. 

Stephanie Nakasian's second release on VSOP exhibits the full range of her talents in duets with the french horn of Bobby Routch. Very interesting and enjoyable program.

Warne Marsh's Mode recording from 1957 is one of his most sought after and appreciated, and is offered here in true stereo, for the first time.

Warne Marsh's 1957 Mode Records' recording is one of the most sought after collector LPs and is now available in original stereo.

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For this 1988 date, Herbie Harper and Bill Perkins have assembled a piano-less quintet similar to what Herbie Harper recorded with in the mid 50's. A fine collaboration with everyone in top form including Larry Koonz, Larance Marable and Jennifer Leitham.  Recorded at Cody Sound by Bill Perkins.

Recorded in 1991, Danny D'Imperio's new group featured Greg Gisbert, Gary Pribek, Ralph Lalama, Hod O'Brien, Steve Brown and David Shapiro. Produced by Barbara Meade and recorded at Red Rock Studios, this was Danny's best effort to date.

 The Valiants' first sides under that name were produced by Bumps Blackwell for Keen Records.  Their public appearances were often as the opening act for Sam Cooke, Johnny Guitar Watson, Young Jessie, and later Jan & Dean.   While the highest they charted was Number 43 on the R&B charts and Number 59 on the Billboard pop charts, they enjoyed much greater fame during the oldies radio revival shows of Art Laboe and Wolfman Jack throughout the 1960's.  The group was comprised of Billy Storm, (aka Billy Jones, aka Billy Fortune, aka Billy Spicer), Rip Spencer, Brice Coefield, and Chester Pipkin.  Billy Storm's great falsetto and tenor lead is probably most responsible for the group's enduring appeal.  They also had the distinction of recording the first released version of "Good Golly Miss Molly", recorded earlier by Little Richard but released later by Specialty.  This CD contains both the mastered release versions and the complete studio sessions from 1957 and 1958.

The Valiants' first sides under that name were produced by Bumps Blackwell for Keen Records. Their public appearances were often as the opening act for Sam Cooke, Johnny Guitar Watson, Young Jessie, and later Jan & Dean.  This EP features their master takes plus selections where they backed ex-Pilgrim Traveler, Kylo Turner not available on their CD.

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This 1985 solo piano session by bebop composer and virtuoso George Wallington was recorded at RCA Studios in New York by Joe Lopes. One of the last dates he recorded.  Features all original material.

Gabe Baltazar is best known for his great alto work with Stan Kenton. This recording is his first in many years and his style and technique are better than ever. Recorded in 1992 at Trevor Feldman's Good Vibes studio, Gabe is supported by Tom Ranier, Steve Houghton and Richard Simon.

The Danny D'Imperio Septet is featured on this 1992 session, the second release on the Mode 200 series devoted to new recordings. Arrangements are by Steve Brown, Calvin Custer, Bob Dorough and Andy Fusco.   Andy Fusco replaces Gary Pribek and Jimmy Johns is added on timbales, otherwise the personnel is the same as on "Blues for Philly Joe".

Great 1958 stereo recording of Cha Chas, Mambos and R&B tunes by hot Hollywood-Latin Orchestra led by former Perez Prado alto star, Rene Bloch (Rene Bloch was also the alto soloist on the Johnny Otis Orchestra's 1945 hit version of "Harlem Nocturne"). All 15 selections are arranged by Paul Lopez, Roberto Gil and Rene Bloch.

This collection is more than just a welcome opportunity to enjoy seldom heard but nonetheless engaging and well produced West Coast rock and roll, recorded mostly in the late ‘50s for release on the Tampa label. It is also a tribute to  the remarkable career of Robert Scherman, a truly unsung hero in the annals of the recording industry. The name may not be familiar but he has had a great impact on some quality popular music that has touched all our lives.

Saxophonist Herb Geller's 1993 recording made at Sage & Sound provides over 70 minutes of excellent music. Herb performs on alto and soprano sax and sings on one of his new compositions devoted to comedian and friend Lenny Bruce. Jimmy Rowles replaces Tom Ranier on his composition "The Peacocks". This marks a welcome return of his talent to the Hollywood jazz scene after his distinguished and productive years abroad.

Herbie Harper's pianoless quintet features his virtuoso trombone with Bob Enevoldsen doubling on tenor and valve trombone. Great guitar lines by Don Overburg.  Recorded for Tampa Records in 1955 at Radio Recorders by Val Valentin.  Outtakes included.

Herbie Harper's pianoless quintet features his virtuoso trombone with Bob Enevoldsen doubling on tenor and valve trombone. Great guitar lines by Don Overburg.  Recorder in 1955 at Radio Recorders by Val Valentin.

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The program consists of live recordings made by photographer George Jerman at two concerts in 1964 and 1965. In the first concert given at Harbor High in Costa Mesa in 1964, Jack Sheldon, Frank Rosolino, Howard Roberts, Joe Mondargon, and Shelly Manne are joined by Johnny Mercer for a program of straight-ahead jazz, vocals and comedy. For the second concert, recorded a year later at Royce Hall, Jack Marshall is added to the band, and Stan Levey replaces Shelly Manne.

This CD features more of the live recordings made by photographer George Jerman during the early to mid 1960s in Los Angeles.  This program presents Pete Jolly performing live at several clubs.  At over 72 minutes of music, this compact disc is an excellent value both in terms of quality and quantity.

This 1993 quartet date features Lanny Morgan with Frank Capp, Bob Maize and Tom Ranier, a group with whom he played regularly at the time.  The repertoire is representative of his many years as an integral part of the New York and Los Angeles jazz scenes and his extensive recording career with Maynard Ferguson, Supersax, Bill Holman, Bob Florence and Bill Berry.  Recorded by Jim Mooney at Sage & Sound.

Recorded in June 1993 at the Hyatt Newporter in Newport Beach, this album may very well be the last recorded performance featuring Bob Cooper.  Joined by co-leader Conte Candoli the quintet peforms a program of straight-ahead bebop and standards, with special emphasis on compositions by Dizzy Gillespie. 

This is the first CD that was produced from the live sessions featuring Howard Roberts and recorded by George Jerman at Donte's during the late 1960's.  Mastered by Joe Sidore.

Claude Willimason's 1995 recording date for V.S.O.P. RECORDS took place at Sage & Sound and features him in a trio supported by Dave Carpenter and Paul Kreibech. The entire program is dedicated to the music of Bud Powell.

This 1994 Danny D'Imperio led session features Greg Gisbert, Gary Pribek, Ralph Lalama, Hod O'Brien, Steve Brown and David Shapiro, supplemented by upstate players Chris Persad, Joe Corello and John Rohde. More outstanding be-bop and mainstream jazz, authentically presented by this captivating ensemble performing original arrangements. Recorded by Kent Heckman at Red Rock Studios.

This program of George Jerman remote recordings centered around bassist Ralph Pena includes selections featuring Herb Geller with Joe Albany and trio and duet work with Pete Jolly. Very interesting and worthwhile performances from the early 1960's. Mastered by Joe Sidore. Program selection by Bob Edmondson.

This 1995 recording of the Pete Jolly Trio featuring Chuck Berghofer and Nick Martinis was recorded at Sage & Sound by Jim Mooney. Pete selected all the material to be recorded, and supervised all post production mastering.  The session was coordinated by Dick Bank.

This CD features three Skylark/Tampa EPs, one featuring The Lighthouse All Stars with Vivien Garry, one devoted to a jam session with Paul Nero, Maynard Ferguson, Sam Most, and others, and one by a Charlie Shavers led group.  Plus, the original "Big Boy" parts 1 and 2 are included.

We have just repressed this classic LP. It is available in a limited edition of 500 copies. 180g pressings.